A 20-year long friendship and a past similarly marked by tragic events unite Ben, a European filmmaker, and Negi, an Indian Buddhist. Fascinated by the possibility of finding in Negi a spiritual guide to come to terms with death, Ben relives and shares his personal story. His journey leads him to deal with the role life has given him, closely linked to his relationship with his father. As the impossibility of finding clear and definitive answers becomes apparent, the deeply human need to accept death emerges, transcending cultural, religious, and geographical barriers.

The history of the Pilastro district begins in the 1960s, with a group of council houses a few kilometers from the center of Bologna, built in response to the demand for housing for the growing number of immigrants in the post-war period. In the shadow of the “Virgolone”, one of the largest residential complexes in the city, a neighborhood with almost seven thousand inhabitants grows, today often at the center of media attention only for crimes and crime stories. 　　Through the history of the neighborhood and its inhabitants, the film explores the relationship between city spaces and daily experiences, in a context where challenges and contradictions in urban development are evident.

PADRE SELVAGGIO DE PIER PAOLO PASOLINI ITALIE/1962/9'/VOSTF/VIDÉO Un bout à bout d'essais, tournés en un seul jour dans un camp de gitans de la banlieue de Rome en décembre 1962. Un film que Pasolini ne terminera jamais.

Forced to flee Bosnia when he was a child, Irvin returns to his homeland. In the same woods where thirty years earlier people took refuge, he decides to build a small village with his own hands. To restore dignity to this place and to the people who died in the war, to heal his wounds, and to fulfill his desire for redemption. But when he is on the River Drina, Irvin does not stop trying to discover what happened, and what could still happen.

暂无剧情简介

故事的舞台在现代的意大利，政府机关“社会福祉公社”表面上是收容重伤残障的少女、给予医治和职业训练的福利机构，实际上却是对收容的少女进行义体改造，并投入药物洗脑，使她们成为对抗恐怖份子的尖兵。每位少女都搭配有一位辅佐官，这种组合被称为“fratello”，是意大利语中“兄妹”之意。少女们对辅佐官都具有（制约造成的）混合了爱情及亲情的绝对忠诚。 与社会福址公社敌对的是被称为“五共和国派”的恐怖组织。该组织的政治诉求是响应以意大利北部为据点的“北部同盟”（Lega Nord）党首Umberto Bossi所提倡的，意大利北部8省与中部3省应该自意大利共和国分离独立的主张，并依此实行武装抗争运动（但在现实中的意大利并无此组织，真实存在的北部同盟也不支持恐怖活动）。

Il Carnevale più antico d’Italia, ricordi, filmati, un immaginario potentissimo radicato nei secoli in una città: Fano. Una tradizione, quella della cartapesta, e maestri carristi che, generazione dopo generazione, hanno saputo costruire tra creatività, ingegneria e manualità dei palcoscenici viaggianti chiamati carri. Una maschera, il Vulón, e il suo incontro con un bambino. Lui non sa nulla del Carnevale di Fano. Chi meglio di una maschera per accompagnarlo tra sfilate, costumi e dolciumi e per raccontargli che in fondo il Carnevale non è solo una festa ma qualcosa di più: un sentimento, uno stato d’animo che scalda il cuore di una città e di un territorio. E mentre la settimana del Carnevale si avvia alla fine, qualcuno è già pronto ad un nuovo inizio…

La nueva ola de añil (The New Indigo Wave) follows residents of Oaxacan town Niltepec—whose name means Cerro del Añil or Indigo Hill—and the process of alchemizing the mesmerizing blue pigment known as añil from the jiquilite plant (Indigofera tinctoria).

What does a swordfish’s call sound like? This question is the starting point for Giacomo Triglia's visionary film: a poetic tale of love, memory, and transformation. In the village of Scilla, Peppe is making a documentary about swordfish fishing in order to rediscover himself and Lucia, his lost love. The journey takes him to a world suspended between dream and reality, populated by symbolic figures and giant papier-mâché creatures. On this journey of rediscovery, the protagonist identifies with the male swordfish, faces the pain of loss, and rediscovers the lost melody

OVA第一卷讲述的是莉可与约翰一起去威尼斯执行任务，目标是约翰已故的未婚妻的弟弟，新人物也将陆续登场。 OVA第二卷讲述的是约翰、乔瑟兄弟带海莉艾塔和莉可去度假时所发生的事。